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![]() A young girl named Clara is given what seems to be a pretty ordinary Nutcracker doll by her Uncle Drosselmeir, but she soon finds herself swept up in an almost dream-like war between the Mouse King and the Nutcracker Prince, who is her doll come to life.
[ The Story in Slightly More Detail - minor spoilers ]
At first it all seems to be just another fairy story to Clara. (And though she does enjoy a good fairy story, they are just that... stories.) That night, after everyone has gone to bed, Clara steals downstairs to dance with her new Nutcracker. But suddenly the Mouse King appears, intent on extracting the revenge he believes the Nutcracker owes him. And right then, before Clara's eyes, the Nutcracker comes to life, thus starting a strange dream-like war between dolls and mice.
This movie charmed me over from the first time I watched it,
which was
at a friend's house. It has its flaws, and is overly fluffy at a number
of places, but honestly, I don't care. The Nutcracker Prince and Clara
make one of my favourite animated couples ever, due to sheer sweetness.
And Clara is one of my favourite dreamy protagonist girls (animated or
not), alongside Dorothy (Return to Oz), Sarah (Labyrinth)
and Gerda (The Snow Queen). Like many others, The Nutcracker
Prince is about the young girl's coming of age. There are numerous
parallels between Clara and Peter Pan's Wendy, the most notable
being that both girls turned down the chance to live in their fantasy
land in order to grow up. The best sequence in the movie (to me) has got to be the story within the story, that is, Uncle Drosselmeir's tale of how the Nutcracker came to be. It was an absolutely inspired decision to use a more crude storybook-style animation style for that sequence. Firstly, it gives the storytelling a more "fairy tale" feel; secondly, it makes the rest of the movie seem all the more "real"; and thirdly, it makes the audience all the more interested in Hans, the boy who becomes the Nutcracker. Seeing him in his "fairy tale" appearance, we want to know more about how he looks like for "real", which makes the pay-off later all the more worth it. (Kinda like how by the end of Beauty and the Beast we want nothing more than to see what Lumiere, Cogsworth and Mrs Potts look like as humans.)
I've always found it delightfully ironic that Princess Pirlipat, despite being beautiful and "all that", was not the true heroine of the story. And I like to think that the "real" Princess Pirlipat looks like Sleeping Beauty's Aurora.
This movie of The Nutcracker Prince is (in my view) one of the most honest adaptations of of E.T.A. Hoffman's tale The Nutcracker and the Mouse King. While the more famous version is the Nutcracker ballet, that adaptation lingers more on the other-worldliness of the Land of the Dolls, with long interludes for the Sugar Plum Fairies and whatnot. Don't get me wrong, I absolutely adore the music Tchaikovsky wrote for the ballet, but the different versions are just that... different. It would be like comparing the Sleeping Beauty or Swan Lake ballet adaptations to their original written form. And that's where my love for The Nutcracker Prince lies... in that it does not try to emulate the ballet, and instead stands on its own two feet, and also daring to establish closer roots to the original tale.
And as a bonus, here's my favourite scene in the whole
movie...
This small tribute to The Nutcracker Prince is a part of [ Clear Black Lines ] The webmistress of which is at [ ] Whom also has a [ guestbook ] |